Music

Hisham Aidi, Rebel Music: Race, Empire and the New Muslim Youth Culture (2014)

Hisham Aidi, “‘Verily, there is only one hip-hop Umma’: Islam, Cultural Protest and Urban Marginality”, Socialism and Democracy, 18/2 (2004), pp. 107-126

H. Samy Alim, “Reinventing Islam with Unique Modern Tones” Muslim Hip Hop Artists as Verbal Mujahidin”, Souls: A Critical Journal of Black Politics, Culture, and Society, 8/4 (2006), pp. 45-58

Larry Blumenfeld, “Exploding Myths in Morocco and Senegal: Sufis Making Music after 9/11”, in Jonathan Ritter and J. Martin Daughtry (eds.), Music in Post-9/11 World (2012), pp. 209-224

Christopher W. Chase, “Prophetics in the Key of Allah: Towards an Understanding of Islam in Jazz”, Jazz Perspectives, 4/2 (2010), pp. 157-181

Jonathan Curiel, “Muslim Roots of the Blues/The Music of Famous American Blues Singers Reaches back through the South to the Culture of West Africa”, SF Gate (Aug. 15 2004) http://www.sfgate.com/opinion/article/Muslim-roots-of-the-blues-The-music-of-famous-2701489.php

Fatima El Shibli, “Islam and the Blues”, Souls: A Critical Journal of Black Politics, Culture, and Society, 9/2 (2007), pp. 162-170

Juan M. Floyd-Thomas, “A Jihad of Words” The Revolution of African American Islam and Contemporary Hip-Hop”, in Anthony Pinn (ed.), Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music (2003), pp. 49-70

Sara Hakeem Grewal, “Intra- and Interlingual Translation in Blackamerican Muslim Hip Hop”, African American Review, 46/1 (Spring 2013), pp. 37-54

Amy Jairazbhoy and Nazir Jairazbhoy, Sidi Sufis: African Indian Mystics of Gujarat http://apsara-media.com/African%20Indian%20Mystics%20of%20Gujarat.html

Deborah Kapchan, Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace (2007)

Su’ad Abdul Khabeer, Muslim Cool: Race, Religion, and Hip Hop in the United States (NYU Press, 2016)

Su’ad Abdul Khabeer, “Rep that Islam: The Rhyme and Reason of American Islamic Hip Hop”, The Muslim World 97/1 (2007), pp. 125-141

Annemette Kirkegaard, “Music Transcendence: Sufi Popular Performances in East”, Temenos: Nordic Journal of Comparative Religion, 48/1 (2012), pp. 29-48

Beverly B. Mack, Muslim Women Sing: Hausa Popular Song (2004)

Anaya McMurray, “Hotep and Hip-Hop: Can Black Muslim Women Be Down with Hip-Hop”, Meridians: Feminism, Race, Transnationalism 8/1 (2007), pp. 74-92

Felicia Miyakawa. Five Percenter Rap: God Hop’s Music, Message and Black Muslim Mission (2005)

Naeem Mohaiemen, “Fear of a Muslim Planet: Hip-Hop’s Hidden History” http://archive.thedailystar.net/forum/2008/june/fear.htm

Abdoulaye Niang, “‘Preaching Music’ and Islam in Senegal: Can the Secular Mediate the Religious? The Case of Rap and Mbalax Music”, African Communication Research, 2/1 (2009), pp. 61-84

Michael Olútáò Olátúnjí, “Modern Trends in the Islamized Music of the Traditional Yorùbá”, Matatu-Journal for African Culture and Society, 40/1 (2012), pp. 447-455

Ari Poutiainen and Inka Rantakallio, “Discursive Construction of African-American Identities and Spirituality: A Comparison of Muslim Hip Hop and 1960s Jazz Avant-Garde”, Popular Music and Society, 17 (June 2015), pp. 1-16Ana Sobral, “‘Unlikely MCs’: Hip hop and the Performance of Islamic Feminism”, European Journal of English Studies, 16/3 (2012), pp. 259-271